Portfolio > White Collar

Smulovitz White Collar 1
altered men's white shirt collar size 16 1/2
photographed by Tom McInvaille
2003
Smulovitz White Collar 2
altered men's white shirt collar size 16 1/2
photographed by Tom McInvaille
2003
Smulovitz White Collar 3
altered men's white shirt collars size 16 1/2
photographed by Tom McInvaille
2003
Smulovitz White Collar 4
altered men's white shirt collars size 16 1/2
photographed by Tom McInvaille
2003
Smulovitz White Collar 7
altered men's white shirt collar size 16 1/2
photographed by Tom McInvaille
2004
Smulovitz White Collar 8
altered men's white shirt collars size 16 1/2
photographed by Tom McInvaille
2004
Smulovitz White Collar 9
altered men's white shirt collars size 16 1/2
photographed by Tom McInvaille
2004
Smulovitz White Collar 10
altered men's white shirt collars size 16 1/2
photographed by Tom McInvaille
2004
Smulovitz White Collar 11
altered men's white shirt collars size 16 1/2
photographed by Tom McInvaille
2005
Smulovitz White Collar 12
altered men's white shirt collars size 16 1/2
photographed by Tom McInvaille
2005
Smulovitz White Collar 13
altered men's white shirt collars size 16 1/2
photographed by Tom McInvaille
2005
Smulovitz White Collar 14
altered men's white shirt collars size 16 1/2
photographed by Tom McInvaille
2005
Smulovitz White Collar 15
altered men's white shirt collars size 16 1/2
photographed by Tom McInvaille
2005

White Oxford shirts have a long tradition of being the staple of the socially acceptable, upper-class male uniform. The White Collar series manipulates this socially charged form of adornment/clothing, questioning status, gender, and sexuality. Exploring the gray area between textiles and jewelry, they investigate what is acceptable versus what is taboo. Why do similarly detached white collars, an essential component of the playboy bunny costume, evoke both female power and misogynistic male dominance?